O Romeo Box Office Day 2: Shahid Kapoor’s film jumps nearly 45%, crosses Rs 20 crore mark in just 48 hours

O Romeo Box Office Day 2: The box office has always loved a good love story, but every once in a while a film arrives that behaves less like a gentle romance and more like a full-blown theatrical event. This weekend belonged to that rare breed. Against the backdrop of Valentine’s Day crowds, date-night bookings and the usual Friday scepticism that trails any major release, the Shahid Kapoor–Triptii Dimri starrer proved that audience curiosity can convert into hard numbers faster than trade analysts can refresh their spreadsheets. What began as a measured opening quickly transformed into a noticeable surge, the sort exhibitors secretly hope for but rarely predict with confidence. Industry chatter across distribution offices from Mumbai to Delhi suggests that the film’s early trajectory is not merely respectable but strategically promising, especially in a climate where theatrical footfall has grown increasingly selective.

How Much Did the Film Earn in Its First Two Days?

Trade estimates indicate the film collected Rs 8.50 crore on day one, followed by roughly Rs 12.25 crore on day two, taking its two-day India nett total to about Rs 20.75 crore. According to figures reported by Sacnilk, the Saturday jump represented nearly 45 per cent growth, while internal distributor tallies cited an even steeper 61 per cent rise in certain circuits.

Across India, the gross stands near Rs 24.6 crore, with an additional Rs 2 crore flowing in from overseas territories, pushing the worldwide tally to approximately Rs 26.6 crore. For a romantic drama with action undertones, those numbers signal healthy audience traction rather than mere opening-day curiosity.

Why Did Day Two Show Such a Strong Jump?

The surge appears to be driven by three familiar yet powerful forces: word of mouth, music recall and festive timing. Valentine’s weekend audiences tend to favour emotionally charged narratives, and exhibitors reported fuller evening shows in metropolitan centres. With around 4,747 shows and an average occupancy of 19.3 per cent on day two, the film demonstrated that its growth was not limited to one region but spread across multiple territories.

Any new release starring Shahid Kapoor inevitably invites comparison with his 2019 blockbuster Kabir Singh, directed by Sandeep Reddy Vanga. That film had collected Rs 22.71 crore on its second day alone, a benchmark few romantic dramas manage. While the new release hasn’t reached those heights yet, trade observers note that its upward trend rather than its absolute figure is what matters at this stage.

Who Stars in the Film Besides the Lead Pair?

Alongside Kapoor and Triptii Dimri, the cast includes powerhouse performers such as Nana Patekar, Avinash Tiwary, Vikrant Massey and Tamannaah Bhatia, giving the project a multi-generational appeal. Industry insiders often point out that ensemble casts tend to sustain weekday collections because they attract varied audience demographics.

Who Backed and Directed the Project?

The film is produced by Sajid Nadiadwala under the banner of Nadiadwala Grandson Entertainment and directed by Vishal Bhardwaj. Ahead of release, Bhardwaj posted a heartfelt note expressing pride in the film, writing that it reminded him of his own capacity for both “love and violence” and thanking his department heads for going beyond expectations. Such public statements are rare before opening-weekend verdicts and signalled the director’s emotional investment.

Is It Outperforming Competing Films?

Yes, quite comfortably. The war drama Border 2, now in its fourth week, reportedly earned around Rs 1.90 crore on the same Saturday, while Tu Yaa Main collected roughly Rs 1.4 crore. Despite sharing screens, neither title has matched the newer release’s momentum, giving it a clear commercial edge.

What Are Trade Experts Saying About Its Momentum?

Exhibitors describe the film as a “steady climber” rather than a front-loaded opener. That distinction matters. Front-loaded films often rely on fan rush and drop sharply after day one, whereas steady climbers tend to benefit from recommendations and repeat viewings. Early trends suggest the latter pattern here, especially in evening and late-night shows where ticket sales strengthened after positive audience chatter.

Two days rarely define a film’s destiny, yet they often reveal its stamina. With Rs 23.51 crore nett India collections reported in early distributor estimates and a visible rise in footfalls, this release has positioned itself as a strong weekend performer. Whether it sustains that pace through weekdays will determine if it merely succeeds or evolves into a bona fide box-office contender. For now, though, the industry has taken note: the film didn’t just open — it accelerated.