3 min readNew DelhiMay 15, 2026 08:28 PM IST
Swanand Kirkire talks about AI. (Photo: Swanand Kirkire/Instagram)
The film industry witnessed a massive shift after the COVID-19 pandemic. Filmmakers appeared to be running out of fresh ideas, while audiences became far more selective about where they wanted to spend their money. Viewers began rejecting content, and conversations around strong writing and meaningful storytelling started dominating the industry. Now, actor-singer Swanand Kirkire has shared his thoughts on the changing landscape, saying that while Mumbai values talent immensely, it somewhere struggles when it comes to creating truly original content.
Bombay is lacking creativity: Swanand Kirkire
Speaking to SCREEN, Swanand said, “Bombay has given value to everything I gained from Indore and Delhi. Bombay respects creative people, but when it comes to creativity itself, they are sometimes unable to create something of their own. In places like Delhi, where resources are limited, the passion to do something out of the box and the desperation to create art become much stronger. But I have no complaints from Mumbai. The city has given me ample opportunities to sing, act, and now even direct.”
He further reflected on the constant changes the entertainment industry goes through and how creative phases evolve with time.
AI has entered the film industry: Swanand Kirkire
“Every five to seven years, trends in the industry change. Now it will be interesting to see who adapts the best to this shift. Things are changing, and people’s perspectives are changing too. AI has also entered the scene now,” he said.
Talking about the growing role of artificial intelligence in entertainment, Swanand added, “AI hasn’t started impacting the film industry completely yet, but it feels like it soon will. It is already writing songs and composing music, and with every passing day it is getting better, so you never know.”
When asked whether he believes AI could one day create something as emotional and powerful as “O Ri Chiraiya”, Swanand Kirkire admitted he hopes that never happens.
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“I don’t believe it will. AI is ultimately human intelligence — humans are developing it. I truly hope it never reaches a level where it can write songs with that kind of emotion. But at the same time, I cannot deny how fast it is growing. A lot of filmmakers already use AI to create sample songs and then tell us, ‘We want something like this.’ That has already started happening. AI is real,” he said.
He also pointed out the growing concerns around originality and copyright. “People are beginning to see AI as a danger because of copyright issues. At the end of the day, AI pulls from what already exists. If you ask it to write in someone’s style, it will inevitably take references from that person’s work, and traces of it may reflect in the final script or song. That could become a serious issue. These are conversations people need to start having. This is a completely new world, and eventually, we will find a way to work alongside it.”
Jyothi Jha is an incisive Copy Editor and multi-platform journalist at The Indian Express, where she specializes in high-stakes entertainment reporting and cinematic analysis. With over six years of diverse experience across India’s leading media houses, she brings a rigorous, ethics-first approach to digital storytelling and editorial curation. Experience & Career Jyothi’s career is characterized by its breadth and depth across the media landscape. Before joining the editorial team at The Indian Express, she honed her expertise covering the entertainment beat for premier national broadcasters, including NDTV, Republic Media, and TV9. Her professional journey is not limited to digital text; she has a proven track record as an on-air anchor and has successfully managed production teams within the high-pressure segments of Politics and Daily News. This 360-degree view of newsroom operations allows her to navigate the complexities of modern journalism with veteran precision. Expertise & Focus Areas Guided by the Orwellian principle that "Journalism is printing what someone else does not want you to do," Jyothi focuses on transparent, accountability-driven reporting. Her core areas of expertise include: Cinematic Deconstruction: Analyzing the social subtext of mainstream Bollywood and South Indian cinema (e.g., Kantara, Masaan, Dabangg). Toxic Masculinity & Gender Studies: A vocal critic of regressive tropes in Indian cinema, she often highlights the industry's treatment of women and social progress. Box Office & Industry Economics: Providing data-backed predictions and analysis of film performance and superstar fee structures. Exclusive Multimedia Coverage: Conducting deep-dive interviews and long-form features that bridge the gap between archival history and modern pop culture. Authoritativeness & Trust Jyothi Jha has established herself as a trusted voice by prioritizing substance over PR-driven narratives. Her background in hard news and political production provides her with a unique lens through which she views the entertainment industry—not merely as gossip, but as a reflection of societal values. Readers rely on her for "Journalism of Courage," knowing her critiques are rooted in a deep respect for the craft and a refusal to settle for superficiality. Her ability to pivot between daily news and specialized entertainment analysis makes her a versatile and authoritative pillar of The Indian Express newsroom. ... Read More
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